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Counterpoints Arts

Monday 20 June 2022 - Sunday 26 June 2022

All Day

Location

Online


Organiser

Imploded, burned, turned to ash


Price


Category

Visual Arts


Eleven years and counting1

By Issam Kourbaj
Multiple screenings of recorded drawing and sound performance in various locations, worldwide, throughout Refugee Week

This performance by the Syrian-born and Cambridge- based artist Issam Kourbaj was created to mark one decade of the Syrian uprising. It was performed and livestreamed on 15 March 2021 – the tenth anniversary of the first day of unrest.

Filmed during the second COVID-19 lockdown at The Howard Theatre at Downing College, Cambridge, it was watched live across the world. In collaboration with the composer Richard Causton and the soprano Jessica Summers, as well as Kettle’s Yard, The Heong Gallery and The Fitzwilliam Museum, the original performance also coincided with the artist’s display of 366 eye idols created from Aleppo soap (Don’t Wash Your Hands: Neither Light Agrees To Enter The Eyes Nor Air The Lungs, 2020) at the Fitzwilliam Museum (2 December 2020–5 September 2021).

In March 2021, Kourbaj said:
“To mark the tenth anniversary of the Syrian uprising, which was sparked by teenage graffiti in March 2011, this drawing performance will pay homage to those young people who dared to speak their mind, the masses who protested publicly, as well as the many Syrian eyes that were, in the last ten years, burnt and brutally closed forever.”

The recording of this performance will be screened in multiple locations worldwide, including cultural institutions and churches across the UK, Europe, Middle East and USA, throughout Refugee Week (20–26 June 2022). The ash produced during the original performance will also be installed in a glass vessel next to the screen at selected locations, including St James’s Piccadilly, London, and Great St Mary’s Church, Cambridge.

The performance will also be available to watch virtually on associated websites that will be accessible to anyone unable to make it to one of the physical locations.

The idea of screening it in multiple locations and on the internet reflects the diaspora of many Syrians forced to leave their destroyed homes and erased cities, who are now scattered across the world, while the glass jar of ash casts light on war’s terrible continuity (even when it is no longer mentioned in the media) and the destruction of all cities and livelihoods, which we see repeated time and again (as is now tragically happening in the Ukraine) and throughout human history.

For further information and images
Please contact Helen Dickman press@kettlesyard.cam.ac.uk
Kettle’s Yard
T. +44 (0)1223 748 100 F. +44 (0)1223 324 377 kettlesyard.co.uk

Screening Locations Worldwide:

Kuwait Contemporary Art Platform, Shuwaikh industrial area, Design district, Block 2, street 28

Amsterdam Framer Framed, Oranje-Vrijstaatkade 71, 1093 KS

International Institute for Asian Studies, Rapenburg 59, 2311 GJ

Alserkal Avenue, 17th St - Al Quoz, Dubai

The Aldeburgh Beach Lookout, 31 Crag Path, Aldeburgh IP15 5BS

Ikon Gallery, 1 Oozells Sq, Birmingham B1 2HS

St Mary Redcliffe Church,12 Colston Parade, Redcliffe, Bristol BS1 6RA

Great St Mary’s Church. Senate House Hill, Cambridge CB2 3PQ

Fitzwilliam Museum, Trumpington St, Cambridge CB2 1RB

Hastings Museum & Art Gallery. John’s Place, Bohemia Rd, Hastings TN34 1ET

St James’s Church, Piccadilly, 197 Piccadilly, London W1J 9LL

V&A museum, Cromwell Road, London SW7 2RL The Mosaic Rooms, 226 Cromwell Rd, London SW5 0SW

The Culture Lab, Newcastle University, 49 King’s Road, Newcastle NE1 7RU

Peterborough Museum and Art Gallery, 51 Priestgate, Peterborough PE1 1LF

St. Luke’s Episcopal Church, 435 Peachtree St. NE. Atlanta, GA 30318

Twelve Gates Arts, 106 N 2nd St, Philadelphia, PA 19106

Online Screening
alserkal.online
Art and Christianity
Atassi Foundation
Counterpoint Arts
Fitzwilliam Museum, Cambridge Heong Gallery, Cambridge Kettle’s Yard, Cambridge Qisetna
La Reine Blanche, Paris
Scottish Refugee Council
St Mary Redcliffe
The Markaz Review

Events
Wednesday 22 June, 7pm (BST)
Composer Richard Causton and Artist Issam Kourbaj in Conversation with Claudia Tobin

Creative Conversations
Royal Drawing School, London
Zoom webinar registration page:
https://us06web.zoom.us/webinar/register/WN_n5_ AlBTrQyaF2QmYJ_fwfw

Postcards
Postcards of Issam Kourbaj’s work will be on sale at The Heong Gallery with proceeds going to support refugees.

For further information and images

Please contact Helen Dickman press@kettlesyard.cam.ac.uk
Kettle’s Yard

About Issam Kourbaj

Issam Kourbaj was born in Syria and trained at the Institute of Fine Arts in Damascus, the Repin Institute of Fine Arts & Architecture in Leningrad (St Petersburg) and at Wimbledon School of Art (London). Since 1990, he has lived and worked in Cambridge, becoming an Artist-in-Residence, a Bye-Fellow (2007–11) and a Lector in art at Christ’s College, University of Cambridge. Kourbaj’s work spans many disciplines – his interests stem from his wide-ranging background in fine art, architecture and theatre design. His artwork include paintings, works on paper, sculptures, film and performance pieces, and he frequently collaborates across the creative sciences and humanities. It has been exhibited and collected widely; for example, a collection of his sketches, Sound Palimpsest, was acquired by the British Museum in 2008 and exhibited in their display Iraq’s Past Speaks to the Present.

Kourbaj’spiece Dark Water, Burning World, is currently touring several museums in the UK and is in the collection of Pergamon Museum and the British Museum. It became object 101 in ‘A History of The World in 100 Objects’ when former Director of the British Museum Neil MacGregor was asked which object would best encapsulate our modern age. Kourbaj created new performances for the exhibition Actions. The Image of the World can be Different at Kettle’s Yard in 2018, and has been dedicated to raising awareness and funds for projects and aid in Syria through several exhibitions, installations and performances in the UK and abroad. In 2021, he was invited to curate and create work for a large-scale art installation called Fleeing the Dark in response to and inspired by objects from the collection of the Tropenmuseum in Amsterdam. Kettle’s Yard and The Heong Gallery (University of Cambridge) are collaborating with the artist on a major two-venue exhibition of the artist’s work in 2024. www.issamkourbaj.co.uk

About Richard Causton

Richard Causton (composer) has been described as “one of the most courageous and uncompromising artists we have”. He studied at the University of York, the Royal College of Music and the Scuola Civica in Milan, studying with Franco Donatoni and his music has been heard all over the world, thanks to performers such as the BBC Symphony Orchestra, Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Orchestra of the Age of Enlightenment, Sinfonieorchester Basel, RundfunkSinfonieorchester Saarbrücken, London Sinfonietta, Birmingham Contemporary Music Group, Britten Sinfonia
and the Nash Ensemble. Issam Kourbaj, Eye idols and Arabic Grafitti, ink on paper, 2020 His music often challenges the performers to reach unusual realms of expression to achieve his intentions. Richard is currently Professor of Composition at the University of Cambridge. www.richardcauston.com

About Jessica Summers
Jessica Summers (soprano) has performed around the UK both in concerts and in opera. An alumna of the Britten-Pears Young Artists Programme (Contemporary Performance directed by the late Oliver Knussen) and New Vocal Repertory courses (directed by Jane Manning), Jessica has performed twentieth and twenty first century music in a wide range of venues and festivals including the Three Choirs Festival, Holywell Music Room, Oxford (Pierrot Lunaire), St John’s Smith Square, Brighton Festival, York Late Music Festival, King’s Lynn Festival, Dartington Hall, Ripon Cathedral, Science Museum (London) and the St Martin in the Fields New Music Series. She has sung in several tours for English Touring Opera, for Opera North (Education) and for the Royal Opera, Covent Garden. Jessica is an ardent supporter of refugees and those who have been displaced. She is a former orientation volunteer for the Red Cross Refugee Unit in London and continues to volunteer, fundraise and raise awareness of the current global refugee crisis. www.livingsongs.co.uk/artists/